Port Grimaud, France, October 2022
Port Grimaud, France, October 2022
Port Grimaud is a place that enchants at first glance. A little lagoon town with canals, bridges, and pastel-colored houses, nestled in the landscape of the Côte d’Azur. The water shimmers, the boats sway gently, everything seems perfectly in place—because everything is perfectly in place.
Port Grimaud is a meticulously staged backdrop, the visionary creation of architect François Spoerry. In the 1960s, he had a stretch of marshy coastline drained, carved out canals, and built a private nostalgia town—a Mediterranean utopia for boat owners dreaming of their own perfect little world.
Inspired by the fishing villages of Provence, he designed each house with its own mooring, painting the facades in warm pastels, topping them with artificially weathered roof tiles and wrought-iron balconies—giving the illusion of a town that had slowly grown over centuries. Even the man-made lagoons were shaped to mimic a natural coastline.
At the heart of Port Grimaud stands the Church of Saint-François d’Assise, designed by Spoerry himself—an unconventional reimagining of a Provençal village church. A hulking yellow mass of rough concrete, minimalist, modern, and a size too large for its surroundings. It’s an impressive structure, deliberate in its simplicity, but ultimately, just another part of the illusion.
Spoerry’s vision was bold, and architecturally, Port Grimaud is a success. A flawlessly curated idyll. You can stroll along the canals, admire the boats, linger on the bridges. But in the end, it feels less like walking through a town and more like moving through a stage set. Everything is clean, charming, picture-perfect. And utterly soulless.


























